This book considers the complex ways in which the hotel functions to
express the shifting experiences of modernity in the works of such
authors as Anthony Trollope, Wilkie Collins, Arnold Bennett, H.G. Wells,
and Elizabeth Bowen. The text contributes to the critical debates on
nineteenth- and twentieth-century literature concerning space, movement,
and mobility, arguing that the hotel reconfigures boundaries of
modernist, middlebrow, and popular fiction. Drawing on a range of
interdisciplinary theoretical and analytical perspectives, the book
provides a critical and cultural history of the hotel in British
literature, charting its changing nature and usage from the
mid-nineteenth century up until the interwar period.