This book studies how the increase of visual representation of
mixed-race Koreans formulates a particular racial project in
contemporary South Korean media. It explores the moments of ruptures and
disjuncture that biracial bodies bring to the formation of neoliberal
multiculturalism, a South Korean national racial project that re-aligns
racial lines under the nation's neoliberal transformation. Specifically,
Ji-Hyun Ahn examines four televised racial moments that demonstrate
particular aspects of neoliberal multiculturalism by demanding distinct
ways of re-imagining what it means to be Korean in the contemporary era
of globalization. Taking a critical media/cultural studies approach, Ahn
engages with materials from archives, the popular press, policy
documents, television commercials, and television programs as an
inter-textual network that actively negotiates and formulates a new
racialized national identity. In doing so, the book provides a rich
analysis of the ongoing struggle over racial reconfiguration in South
Korean popular media, advancing an emerging scholarly discussion on race
as a leading factor of social change in South Korea.