In the nineteenth century, richly-drawn social fiction became one of
England's major cultural exports. At the same time, a surprising
companion came to stand alongside the novel as a key embodiment of
British identity: the domesticated pet. In works by authors from the
Brontës to Eliot, from Dickens to Hardy, animals appeared as markers of
domestic coziness and familial kindness. Yet for all their supposed
significance, the animals in nineteenth-century fiction were never
granted the same fullness of character or consciousness as their human
masters: they remain secondary figures. Minor Creatures re-examines a
slew of literary classics to show how Victorian notions of domesticity,
sympathy, and individuality were shaped in response to the burgeoning
pet class. The presence of beloved animals in the home led to a number
of welfare-minded political movements, inspired in part by the Darwinian
thought that began to sprout at the time. Nineteenth-century animals may
not have been the heroes of their own lives but, as Kreilkamp shows, the
history of domestic pets deeply influenced the history of the English
novel.