A political history of photography's ecological impact, from its
origins to the present
Photography has always depended on the extraction and exploitation of
raw materials. Having started out using copper, coal, silver and paper
in the 19th and 20th centuries, photography now relies, in the age of
the smartphone, on rare metals such as coltan, cobalt and europium. This
volume focuses on the history of the raw materials utilized in
photography, establishing a connection between the history of their
extraction, their disposal and climate change. Looking at historical and
contemporary works, it demonstrates that the medium is deeply implicated
in human-induced changes to nature.
Photographers include: Ignacio Acosta, Eduard Christian Arning, Lisa
Barnard, Hermann Biow, F&D Cartier, Oscar and Theodor Hofmeister,
Susanne Kriemann, Jürgen Friedrich Mahrt, Mary Mattingly, Daphné Nan Le
Sergent, Lisa Rave, Hermann Reichling, Alison Rossiter, Metabolic
Studio's Optics Division, Robert Smithson, Simon Starling, Anaïs
Tondeur, James Welling, Noa Yafe and Tobias Zielony.