The postmodern opposition between theory and lived reality has led in
part to an anthropological turn to dialogic or reflexive approaches.
Michael Jackson claims these approaches are hardly radical as they still
drift into such abstractions as society or culture. His Minima
Ethnographica proposes an existential anthropology that recognizes even
abstract relationships as modalities of interpersonal life.
Written in the style of Theodor Adorno's Minima Moralia, Jackson's
work shows how general ideas are always anchored in particular social
events and critical concerns. Emphasizing the intersubjective encounter
over objective descriptions of the whole historical and contemporary
situation of a given people, he illustrates the power and originality of
existential anthropology through a series of vignettes from his
fieldwork in Sierra Leone and Australia. An award-winning poet,
novelist, and anthropologist, Jackson offers a timely critique of
conventions that dull our sense of the links between academic study and
lived experience.