This is the first book to investigate the social, political, cultural,
artistic and economic forces which created conditions for the rise,
success and decline of mime and physical theatre in the United Kingdom,
from the 1970s to 2000.
Unpicking the various routes through which mime and physical theatre
emerged into wider prominence, this book outlines key thematic strands
within this history of practice. The book blends historical description
and refl ective analysis. It aims to juxtapose the various histories at
play within this field, giving critical attention to the voices of the
artists, funders and venue managers who were there at the time,
particularly recognising the diversity of practitioners and the network
of relationships that supported their work. Drawing upon over 40
original interviews, including, amongst others: Joseph Seelig, Helen
Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae,
Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers
unique testimonies and memories from key figures active during these
three decades. This wide-ranging account of the history, social context,
key moments and practical methods gives an unparalleled chronicle of one
of the UK's most vital and pioneering forms of theatre.
From undergraduate students to established scholars, this is a
comprehensive account for anyone studying contemporary theatre, theatre
history, mime, physical theatre and the structures that support the
performing arts in the United Kingdom.
