In Milan Kundera's Fiction: A Critical Approach to Existential
Betrayals, Karen von Kunes traces Kundera's literary aspirations to a
single episode in Czechoslovakia in the Stalinist era. This moment
attracted international attention when a 1950 police report was released
in 2008. Reporters rushed to judgment, accusing Kundera of denouncing
Miroslav Dvořáček to the police, resulting in Dvořáček's immediate
arrest and sentencing to hard labor. von Kunes debunks this shocking
charge in a systematic way and argues that Kundera reported a suitcase,
not a man. She ties Kundera's dominant themes of sex, betrayal, and
political denouncement to the suitcase, a fatal instrument that can lead
to paradoxes and unforeseen and catastrophic coincidences for his
characters.