This book is about migrants' lives in urban space, in particular Rome
and Milan. At the core of the book is literature as written by migrants,
members of a "second generation," and a filmmaker who defines himself as
native. It argues that the narrative authored by migrants, refugees,
second generation women, and one "native Italian" perform a reparative
reading of Italian spaces in order to engender reparative narratives.
Eve Sedgwick wrote about our (now) traditional way of reading based on
unveiling and on, mainly, negative affect. We are trained to tear the
text apart, dig into it, and uncover the anxieties that define our age.
Migrants writers seem to employ both positive and negative affects in
defining the past, present, and future of the spaces they inhabit. Their
recuperative acts of writing, constitute powerful models of changes
in/on place. As they look at Italian exclusionary spaces, they also
rewrite them into a present whose transitiveness allows to imagine a
process of citizenship and belong constructed from below.