Michelangelo Antonioni, who died in 2007, was one of cinema's greatest
modernist filmmakers. The films in his black and white trilogy of the
early 1960s--L'avventura, La Notte, L'eclisse--are justly celebrated
for their influential, gorgeously austere style. But in this book,
Murray Pomerance demonstrates why the color films that followed are, in
fact, Antonioni's greatest works. Writing in an accessible style that
evokes Antonioni's expansive use of space, Pomerance discusses The Red
Desert, Blow-Up, Professione: Reporter (The Passenger), Zabriskie Point,
Identification of a Woman, The Mystery of Oberwald, Beyond the Clouds,
and The Dangerous Thread of Things to analyze the director's subtle
and complex use of color. Infusing his open-ended inquiry with both
scholarly and personal reflection, Pomerance evokes the full range of
sensation, nuance, and equivocation that became Antonioni's signature.