Michelangelo's (1475-1564) "Taddei Tondo," in the collection of the
Royal Academy in London, offers a fascinating insight into the master's
technical and experimental skill. Joshua Reynolds, the Academy's first
president, considered that Michelangelo represented everything that an
artist should aspire to, combining technical brilliance with sublime
poetical imagination, and the Tondo shows this in scintillating relief.
Expertly researched and written by the renowned Renaissance art
historian Alison Cole, this book moves through the life of the "Tondo,"
from Michelangelo's rivalry with Leonardo to the marble's arrival at the
Royal Academy and its use in the RA Schools. Finishing with a fresh look
at the Tondo's role in revealing Michelangelo's technical
experimentalism, Cole explores the importance of finish and what
constitutes a finished work of art. Lavishly illustrated and including
new photos of the Tondo, this is an enriching exploration of a
lesser-known side of the great Renaissance master's work.