In this book, Peter Brunette analyzes the theatrical releases of
Austrian film director Michael Haneke, including The White Ribbon,
winner of the 2009 Palme d'Or at the Cannes Film Festival. Perhaps best
known to U.S. audiences for Caché, The Piano Teacher, and his remake
of his own disturbing Funny Games, Haneke has consistently challenged
critics and film viewers to consider their own responsibility for what
they watch when they seek to be ""merely"" entertained by such
studio-produced Hollywood thrillers.
Brunette highlights Haneke's brilliant use of uncompromising visual and
aural techniques to express complex themes. His most recent films
contain what has become his hallmark: a moment of violence or shock that
is not intended to be exploitative, but that nevertheless goes beyond
the conventional boundaries of most art cinema. Lauded for graphically
revealing the powerful influence of contemporary media on social
behavior, his films offer a chilling critique of contemporary consumer
society. Brunette discusses Haneke's major releases in English, French,
and German, including the film that first brought him to international
attention, Benny's Video. The first full-length study of Haneke's work
in any language, this book also includes an interview with the director
that explores his motivations and methods.