Wishing to expand on the minimal scholarship on the topic of
Metaphysical and Mid-Late Tang poets under the general category of
Baroque, this book offers a comparative analysis of poems from the
Metaphysical poets John Donne, Andrew Marvell and Richard Crashaw and a
selection of Tang poetry by Meng Jiao, Li He and Li Shangyin. By
following Nietzche's definition of Baroque as a poetic "style" found in
any period and country, and the concept of art as allegory, the author
approaches the analysis of these poems using allegorical reading.
The application of this non-traditional method of investigation and
analysis has produced ground-breaking implications in the area of
literary criticism, paving the way for future additions to the growing
body of work on Baroque poetry. Therefore, it is likely to hold great
appeal to literature researchers and scholars, as well as those studying
Tang poetry, Metaphysical poetry and Comparative Studies.