Nicholas Mosley's Whitbread Award-winning novel Hopeful Monsters dealt
with the suggestion that if human nature could not be improved by
scientific manipulation, perhaps a suitable environment or soil might
nonetheless be prepared into which an appropriate seed for change might
fall, and not be smothered by weeds. In Metamorphosis, a humanitarian
worker and a journalist in a vast refugee camp in East Africa come
across a newborn child who for some inexplicable reason gives them the
impression that it might be just such a seed. But why? And what to do
about it?