"I want my films to explode with life." -Mira Nair. This the first book
to examine the films of the acclaimed and popular Indian-born and
Harvard educated filmmaker, Mira Nair. A unique voice in cinema today,
she is one of the few female directors who made it to the top of a
male-dominated profession. Her films feature an incomparably sensuous
visual style yet at the same time often record the injustice of the
disenfranchised and the cross-pollination of East and West. Her twin
themes of realism and romance make for dazzling cinema. John Kenneth
Muir analyzes all of Nair's work, including: - Salaam Bombay! (1988),
the groundbreaking story of a young boy abandoned by his family on the
streets of Bombay. - Mississippi Masala (1991), an interracial small
town romance between an Indian woman (Sarita Choudhury) and an African
American businessman (Denzel Washington). - Monsoon Wedding (2001),
featuring a Bollywood carnival atmosphere, one of the most successful
foreign films ever released in the United States. - Hysterical Blindness
(2002), the HBO film featuring Uma Thurman and Juliette Lewis, looking
for love in all the wrong places. - The big-budget Hollywood adaptation
of the Thackery novel Vanity Fair (2004), starring Reese Witherspoon,
Gabriel Byrne, and Eileen Atkins.