As the social anchor in middle-class homes of the nineteenth century,
the piano was simultaneously an elegant piece of drawing-room furniture,
a sign of bourgeois prosperity, and a means of introducing the young to
music. In this admirably balanced and leisurely account of the popular
instrument, the late, internationally known concert pianist Arthur
Loesser takes a piano's-eye view of the recent social history of Western
Europe and the United States.
Drawing on newspapers, music manuscripts, popular accounts, and other
sources, Loesser traces the history of the piano from its predecessors,
the clavichord and the harpsichord, to the modern spinet and concert
grand. Chapter headings such as Clavichords Make Weeping Easier, The
Harpsichord Grows Feet, The More Pianos the Merrier, and The Keyboards
Go West suggest the author's lighthearted approach to topics ranging
from the piano's European origins and its introduction in the United
States to the decline of piano manufacturing in the early twentieth
century and the victory of airborne music by mid-century. A preface by
historian Jacques Barzun and a new foreword by music critic Edward
Rothstein enhance a volume rich in wit and knowledge -- one that will
delight any reader with an interest in the piano and on Western cultural
history.