Kieslowski's last films have indelibly marked the past decade. His
cinema has renewed the representation of the human subject and emotion
in film: space and luminous surface reveal the finest, most fragile
impressions of states of mind and human consciousness. This study is the
first to offer specific focus on Kies'lowski's last films, on his
French-language cinema and its place within the broader context of
French film-making. Engaging with Deleuze's discussions of the
time-image, and recent work in trauma theory, Emma Wilson offers radical
insights into the innovation in Kies'lowski's explorations of memory,
temporality, loss and desire. A charged defence of Kies'lowski's work,
Memory and Survival offers new readings of this cinema of blind chance
and fleeting beauty.