The international crash of 1720 long served as a touchstone for
behavioral economists who perceive it as a gateway to the boom-and-bust
cycles of the modern world. Perhaps not surprisingly, art history has
contributed relatively little to our understanding of the significance
of 1720. This book aims to redress this imbalance via a focus on the
depiction of the first international financial crisis following the 1720
collapse of stock market bubbles in England, France, and the
Netherlands. Its most important visual source, Het groote tafereel der
dwaasheid ('The Great Mirror of Folly'), is a series of approximately
seventy-five bawdy, tragicomic engravings satirizing the crisis and its
catastrophic effects. The visual sources of the series are also
explored, including prints related to the earlier 'tulip mania' bubble,
as well as related materials including propaganda and satirical
pamphlets, letters, coins, and paper currency. Key themes or motifs that
recur in the Tafereel prints, include the New World and colonial trade;
mass illness; paper and its association with insubstantiality, illusion
and trickery; debauchery; and the carnivalesque.