Media of the Masses investigates the social life of an everyday
technology-the cassette tape-to offer a multisensory history of modern
Egypt. Over the 1970s and 1980s, cassettes became a ubiquitous presence
in Egyptian homes and stores. Audiocassette technology gave an opening
to ordinary individuals, from singers to smugglers, to challenge
state-controlled Egyptian media. Enabling an unprecedented number of
people to participate in the creation of culture and circulation of
content, cassette players and tapes soon informed broader cultural,
political, and economic developments and defined "modern" Egyptian
households.
Drawing on a wide array of audio, visual, and textual sources that exist
outside the Egyptian National Archives, Andrew Simon provides a new
entry point into understanding everyday life and culture. Cassettes and
cassette players, he demonstrates, did not simply join other twentieth
century mass media, like records and radio; they were the media of the
masses. Comprised of little more than magnetic reels in plastic cases,
cassettes empowered cultural consumers to become cultural producers long
before the advent of the Internet. Positioned at the productive
crossroads of social history, cultural anthropology, and media and sound
studies, Media of the Masses ultimately shows how the most ordinary
things may yield the most surprising insights.