In a declaration of the ascendance of the American media industry,
nineteenth-century press barons in New York City helped to invent the
skyscraper, a quintessentially American icon of progress and aspiration.
Early newspaper buildings in the country's media capital were designed
to communicate both commercial and civic ideals, provide public space
and prescribe discourse, and speak to class and mass in equal measure.
This book illustrates how the media have continued to use the city as a
space in which to inscribe and assert their power. With a unique focus
on corporate headquarters as embodiments of the values of the press and
as signposts for understanding media culture, Media Capital
demonstrates the mutually supporting relationship between the media and
urban space. Aurora Wallace considers how architecture contributed to
the power of the press, the nature of the reading public, the
commercialization of media, and corporate branding in the media
industry. Tracing the rise and concentration of the media industry in
New York City from the mid-nineteenth century to the present, Wallace
analyzes physical and discursive space, as well as labor, technology,
and aesthetics, to understand the entwined development of the mass media
and late capitalism.