One of the most gifted directors of the post New Wave, Maurice Pialat is
frequently compared to such legendary filmmakers as Jean Renoir and
Robert Bresson. A quintessentially realist filmmaker, who, like Bresson,
was also trained as a painter, Pialat's particular form of realism
influenced an entire generation of young filmmakers in the 1990s. This
volume is the first book-length study of Pialat's cinema in English. It
provides an introduction to a complex and difficult director, who saw
himself as a marginal and marginalised filmmaker, but whose films are
deeply rooted in French society and culture. Pialat was long considered
the only major filmmaker to portray 'la France profonde', the heart of
France - the people who, as he put it, 'take the subway'. Taken as a
whole, Pialat's work can be seen both as an oblique autobiography and
the portrait of a fundamental institution - the family - over several
generations.