To speak of weight is to acknowledge artistic agency and ambition, the
deliberate calibration of materials and support which involves risk, at
times to the point of collapse. Weight ultimately deals with the 'force'
of works of art, their heaviness and thus their presence, a physical and
metaphorical characteristic that informs our aesthetic comprehension of
things in the world. The book examines the theory and exploitation of
weight as an aesthetic category in works of art, 1350-1700. Drawing from
the interdisciplinary expertise of specialists in the history of
mechanics, painting, prints, sculpture and architecture, this volumes
probes the deployment of weight as a compelling denominator in objects
of study - be they scientific instruments, canvas paintings, marble
sculptures or buildings.