What is literature made from? During the fourteenth, fifteenth, and
sixteenth centuries, this question fascinated English court poets, who
often claimed that their poems were not original creations, but
adaptations of pre-existing materials. Their word for these materials
was 'matter, ' while the term they used to describe their labor was
'making, ' or the act of reworking this matter into a new - but not
entirely new - form. By tracing these ideas through the work of six
major early poets, this book offers a revisionist literary history of
early court poetry. It reconstructs their theories of making and
contrasts them with more modern theories of literary labor, such as
'authorship.' It studies the textual, historical, and philosophical
sources that these poets used as matter. Most of all, it demonstrates
that early court poets drew attention to their source materials for
aesthetic reasons, and not because of any lapse in technique.