The large-scale group exhibition, Material Girls, which this book
documents, was an exploration of material process and notions of excess
as they relate to the feminized body, gendered space, and capitalized
desire, bringing together Canadian and international emerging,
mid-career, and senior female artists from across artistic disciplines
and cultural backgrounds. This publication features full color
installation images, along with details of several works, and three
critical essays by the exhibition curator and guest writers. Sumptuous,
decorative and visually overwhelming, the contents of Material Girls
becomes a horror vacui, a jubilant and visceral counterpoint to the
modernist-derived and ideologically-constructed convention of the
austere white cube.