In his stunning essay Coldness and Cruelty Gilles Deleuze provides a
rigorous and informed philosophical examination of the work of late
nineteenth-century German novelist Leopold von Sacher-Masoch. Deleuze's
essay, certainly the most profound study yet produced on the relations
between sadism and masochism, seeks to develop and explain Masoch's
"peculiar way of 'desexualizing' love while at the same time sexualizing
the entire history of humanity." He shows that masochism is something
far more subtle and complex than the enjoyment of pain, that masochism
has nothing to do with sadism: their worlds do not communicate, just as
the genius of those who created them -- Masoch and Sade -- lie
stylistically, philosophically, and politically poles apart.
Venus in Furs, the most famous of Masoch's novels, belongs to an
unfinished cycle of works that Masoch entitled The Heritage of Cain.
The cycle was to treat a series of themes, including love, war, and
death. The present work is about love. Although the entire constellation
of symbols that has come to characterize the masochistic syndrome can be
found here -- fetishes, whips, disguises, fur-clad women, contracts,
humiliations, punishment, and always the volatile presence of a terrible
coldness -- these received associations do not eclipse the truly
singular and surprising power of Masoch's eroticism.