"Married to the City' offers a fresh take on the interrelationship of
emblems and mayoral pageants and a novel investigation into the function
of feminine allegorical personifications in the early modern Lord
Mayor's Show, with a special focus on the allegorical nuptials of mayor
and city. The study finds that the newly sworn-in mayor's ritual passage
through the streets of London serves not only as a spatial enactment of
his rise in status but simultaneously confirms a metaphorical bond of
marriage between mayor and city. This naturalizes the prerogative of the
mayor and company elites to wield civic power while it also serves to
incorporate Londoners into an idea of the city as an integral, bodily
entity. This function of personified London ("the speaking female city")
in the Lord Mayor's Show is anticipated by the late medieval Corpus
Christi celebrations which also figure community in terms of body. The
study also pays attention to the hitherto neglected yet typical
phenomenon of 'serious punning' on the names of new mayors in the Lord
Mayor's Show by which new officeholders are ceremonially established in
their positions at the heart of the city.