Challenging many established narratives of literary history, this book
investigates how the earliest known Greek poets (seventh to fifth
centuries BCE) signposted their debts to their predecessors and prior
traditions - placing markers in their works for audiences to recognise
(much like the 'Easter eggs' of modern cinema). Within antiquity, such
signposting has often been considered the preserve of later literary
cultures, closely linked with the development of libraries, literacy and
writing. In this wide-ranging new study, Thomas Nelson shows that these
devices were already deeply ingrained in oral archaic Greek poetry,
deconstructing the artificial boundary between a supposedly 'primal'
archaic literature and a supposedly 'sophisticated' book culture of
Hellenistic Alexandria and Rome. In three interlocking case studies, he
highlights how poets from Homer to Pindar employed the language of
hearsay, memory and time to index their allusive relationships, as they
variously embraced, reworked and challenged their inherited tradition.