Margaret Atwood enjoys a unique prominence in Canadian letters. With
over thirty books to her credit, in genres ranging from children's
writing to dystopic novels, she is as creatively diverse as she is
internationally acclaimed. Her success, however, has been double-edged:
the very popularity that makes her such a prominent figure in the
literary world also renders her vulnerable to claims of being a
sell-out, as she relates in her Empson lectures. The Open Eye
negotiates the space between these positions, acknowledging Atwood's
remarkable achievement while considering how it impacts on national
politics and identity.
The range of perspectives in this volume is stimulating and
enlightening. The Open Eye begins with a focus on Atwood as she
presents herself and is presented in Canada and abroad, and then
proceeds to consider, more broadly, the intersection of life and
literature that Atwood's works and persona effect. It offers fresh
insight into Atwood's early writing, redresses the critical void
regarding her poetry and shorter prose pieces, and provides a critical
base from which readers can assess Atwood's most recent novels.
A common thread throughout these essays is the recognition of Atwood's
importance in the literary realm in general, and in Canadian literature
more particularly.