Edouard Manet (1832-83) was one of the greatest, as well as one of the
most interesting, of nineteenth century French painters. Acute
observation, an extraordinary skilful handling of paint and a feeling
for exquisite harmonies of colour makes his work both vivid and
enchanting. It is also of great significance in the story of European
painting, since Manet, a pioneer in depicting modern life in a modern
style, was a formative influence on the whole impressionist movement.
Olympia and The Picnic are among the key works of the nineteenth
century.
These, and many other crucial points - among them Manet's personality,
with its many contradictions - are fully discussed by John Richardson in
his introductory essay, an abridged version of the brilliant text which
was widely admired when it was first published in 1958 and which started
a full-scale revival of Manet studies.
Richardson's classic text was first revised in 1982, with notes to the
forty-eight colour plates by Kathleen Adler and comparative
illustrations to emphasize the quality, variety and character of Manet's
work. This perfect introduction to the work of such an influential
painter is now reissued in an attractive new design.