This book is a comprehensive examination of the conception, perception,
performance, and composition of time in music across time and culture.
It surveys the literature of time in mathematics, philosophy,
psychology, music theory, and somatic studies (medicine and disability
studies) and looks ahead through original research in performance,
composition, psychology, and education. It is the first monograph solely
devoted to the theory of construction of musical time since Kramer in
1988, with new insights, mathematical precision, and an expansive global
and historical context.
The mathematical methods applied for the construction of musical time
are totally new. They relate to category theory (projective limits) and
the mathematical theory of gestures. These methods and results extend
the music theory of time but also apply to the applied performative
understanding of making music. In addition, it is the very first
approach to a constructive theory of time, deduced from the recent
theory of musical gestures and their categories.
Making Musical Time is intended for a wide audience of scholars with
interest in music. These include mathematicians, music theorists,
(ethno)musicologists, music psychologists / educators / therapists,
music performers, philosophers of music, audiologists, and acousticians.