A close examination of an important theme in Machaut's works.
A milestone in Machaut studies and in late-medieval French literature in
general. Machaut, already considered the seminal figure in late-medieval
poetics and music, here comes across in these respects more clearly than
ever. Kelly also further contextualises him within what we might call
the authorial `apprenticeship tradition' of Boethius, the Roman de la
Rose, Dante, and later Gower, Chaucer, and Christine de Pizan. The fruit
of one of the field's most distinguished scholars today. Nadia Margolis,
Mount Holyoke College.
Guillaume de Machaut was celebrated in the later Middle Ages as a
supreme poet and composer, and accordingly, his poetry was recommended
as amodel for aspiring poets. In his Voir Dit, Toute Belle, a young,
aspiring poet, convinces the Machaut figure to mentor her. This volume
examines Toute Belle as she masters Machaut's dual arts of poetry and
love, focusing onher successful apprenticeship in these arts; it also
provides a thorough review of Machaut's art of love and art of poetry in
his dits and lyricsm, and the previous scholarship on these topics. It
goes on to treat Machaut's legacy among poets who, like Toute Belle,
adapted his poetic craft in new and original ways. A concluding analysis
of melodie identifies the synaesthetic pleasure that late medieval
poets, including Machaut, offer their readers.
Douglas Kelly is Professor Emeritus at the University of Wisconsin,
Madison.
