What's new about the apocalypse? Revelation does not allow us to look
back after the end and enumerate pivotal turning points. It happens in
an immediate encounter with the transformatively new.
John Milton's and Andrew Marvell's lyrics attempt to render the
experience of such an apocalyptic change in the present. In this respect
they take seriously the Reformation's insistence that eschatology is a
historical phenomenon. Yet these poets are also reacting to the
Regicide, and, as a result, their works explore very modern questions
about the nature of events, what it means for a significant historical
occasion to happen.
Lyric Apocalypse argues that Milton's and Marvell's lyrics challenge any
retrospective understanding of events, including one built on a theory
of revolution. Instead, these poems show that there is no "after" to the
apocalypse, that if we are going to talk about change, we should do so
in the present, when there is still time to do something about it. For
both of these poets, lyric becomes a way to imagine an apocalyptic event
that would be both hopeful and new.