Since the 1960s, the hybrid popular music called luk thung has
embodied the aspirations, frustrations, and sorrows of Thailand's
working class. Global scholarship, however, has been slow in examining
this seminal genre. In this pioneering book, ethnomusicologist James
Mitchell explores the many facets of luk thung through ethnographic
research with singers, songwriters, fans, and other professionals. The
groundbreaking final chapter refutes the widespread opinion that luk
thung is an apolitical genre by examining its role in recent political
turmoil and tracing currents of protest and sociopolitical commentary
back to the music's origins.
The book includes links to many songs online so that readers can hear
for themselves the music that came to express the triumphs and hardships
of everyday working Thais.