The photographer Luigi Ghirri (1943-1992) was one of the most
significant Italian artists of the late twentieth century. This volume -
the first scholarly book-length publication on Ghirri to appear in
English - introduces his photographic and critical work to a broader
audience and positions Ghirri as a key voice within global artistic
debates. It breaks new ground by approaching Ghirri's oeuvre from a wide
range of interdisciplinary perspectives, in order to take account of the
breadth of his interests, the variety of his projects and the
far-reaching impact of his work as a practitioner, writer, theorist and
curator, both in the field of photography and beyond. Drawing on
different approaches from disciplines including art history, theory of
photography, literary and cultural studies, architecture, cartography,
and place and landscape studies, the essays in the volume show how
Ghirri redefined contemporary photography and helped shape the «spatial»
or «landscape» turn in Italy and further afield.