**The newest collection from "one of America's most dazzling poets" (O,
The Oprah Magazine)
**
Set in transit even as they investigate the transitory, the cinematic
poems in Love and I move like a handheld camera through the eternal,
the minds of passengers, and the landscapes of Ireland and America. From
this slight remove, Fanny Howe explores the edge of "pure seeing" and
the worldly griefs she encounters there, cast in an otherworldly light.
These poems layer pasture and tarmac, the skies above where airline
passengers are compressed with their thoughts and the ground where
miseries accumulate, alongside comedies, in the figures of children in a
park.
Love can do little but walk with the person and suddenly vanish, and
that recurrent abandonment makes it necessary for these poems to find a
balance between seeing and believing. For Howe, that balance is found in
the Word, spoken in language, in music, in and on the wind, as invisible
and continuous lyric thinking heard by the thinker alone. These are
poems animated by belief and unbelief. Love and I fulfills Howe's
philosophy of Bewilderment.