Slavoj Zizek, a leading intellectual in the new social movements that
are sweeping Eastern Europe, provides a virtuoso reading of Jacques
Lacan. Zizek inverts current pedagogical strategies to explain the
difficult philosophical underpinnings of the French theoretician and
practician who revolutionized our view of psychoanalysis. He approaches
Lacan through the motifs and works of contemporary popular culture, from
Hitchcock's Vertigo to Stephen King's Pet Sematary, from
McCullough's An Indecent Obsession to Romero's Return of the Living
Dead--a strategy of looking awry that recalls the exhilarating and
vital experience of Lacan.
Zizek discovers fundamental Lacanian categories the triad
Imaginary/Symbolic/Real, the object small a, the opposition of drive and
desire, the split subject--at work in horror fiction, in detective
thrillers, in romances, in the mass media's perception of ecological
crisis, and, above all, in Alfred Hitchcock's films. The playfulness of
Zizek's text, however, is entirely different from that associated with
the deconstructive approach made famous by Derrida. By clarifying what
Lacan is saying as well as what he is not saying, Zizek is uniquely able
to distinguish Lacan from the poststructuralists who so often claim him.