This book analyses London fiction at the millennium, reading it in
relation to an exploration of a theoretical positioning beyond the
postmodern. It explores how a selection of novels can be considered as
"second-wave" or "post-postmodern" in light of their borrowing more from
mainstream and classical genres as opposed to formally experimental
avant-garde techniques. It considers how writers utilise the cultural
capital of London in a process of relocating marginalized, subjugated or
under-represented voices. The millennium provides an apt symbolic
opportunity to reflect on British fiction and to consider the direction
in which contemporary authors are moving. As such, key novels by Martin
Amis, Bella Bathurst, Bernardine Evaristo, Mark Haddon, Nick Hornby,
Hanif Kureishi, Andrea Levy, Gautam Malkani, Timothy Mo, Will Self, Ali
Smith, Zadie Smith, Rupert Thomson, and Sarah Waters are used to explore
writing beyond the postmodern.
'In this significant and welcome contribution to the field, Allen
provides us with a sophisticated, detailed, and rigorous study of the
move in contemporary fiction beyond postmodernism as exemplified by
London fiction.'
--Nick Hubble, Brunel University London, UK