The interconnected stones that form Felipe Alfau's novel LOCOS take
place in a Madrid as exotic as the Baghdad of the 1001 ARABIAN NIGHTS
and feature unforgettable characters in revolt against their young
'author' "For them," he complains, "reality is what fiction is to real
people; they simply love it and make for it against ray almost heroic
opposition" Alfau's "comedy of gestures" -- a mercurial dreamscape of
the eccentric, sometimes criminal, habitues of Toledo's Cafe of the
Crazy -- was written in English and first published in 1936, favorably
reviewed for The Nation by Mary McCarthy, as she recounts here in her
Afterword, then long neglected.