Although Exile in Guyville was celebrated as one of the year's top
records by Spin and the New York Times, it was also, to some, an
abomination: a mockery of the Rolling Stones' most revered record and a
rare glimpse into the psyche of a shrewd, independent, strong young
woman. For these crimes, Liz Phair was run out of her hometown of
Chicago, enduring a flame war perpetrated by writers who accused her of
being boring, inauthentic, and even a poor musician.
With Exile in Guyville, Phair spoke for all the girls who loved the
world of indie rock but felt deeply unwelcome there. Like all great
works of art, Exile was a harbinger of the shape of things to come:
Phair may have undermined the male ego, but she also unleashed a new
female one. For the sake of all the female artists who have benefited
from her work--from Sleater-Kinney to Lana Del Rey and back again--it's
high time we go back to Guyville.