A timeless work of social satire, set in the 1920s and considered one
of the most insightful Modernist depictions of England's working class
Living is a book about life in a factory town and the operations of a
factory, from the workers on the floor to the boss in his office. The
town is Birmingham and the factory is an iron foundry, like the one that
Henry Green worked in for some time in the 1920s after dropping out of
Oxford, and the stories--courtships, layoffs, getting dinner on the
table, going to the pub, death--are all the ordinary stuff of life. The
style, however, is pure Henry Green, at once starkly constrained and
wildly streaked with the expedients and eccentricities of everyday
speech--cliché and innuendo, clashing metaphors, slips of tongue--which
is to say it is like nothing else. Epic and antic, Living is a book of
exact observation and deep tenderness, the work, in Rosamond Lehmann's
words, of an "amorous and austere voluptuary" whose work continues to
transform the novel.