Living Genres in Late Modernity rehears the American 1970s through the
workings of its musical genres. Exploring stylistic developments from
the late 1960s through the early 1980s, including soul, funk, disco,
pop, the nocturne, and the concerto, Charles Kronengold treats genres as
unstable constellations of works, people, practices, institutions,
technologies, money, conventions, forms, ideas, and multisensory
experiences. What these genres share is a significant cultural moment:
they arrive just after "the sixties" and are haunted by a sense of
belatedness, loss, or doubt, even as they embrace narratives of progress
or abundance. These genres give us reasons--and means--to examine our
culture's self-understandings. Through close readings and large-scale
mappings of cultural and stylistic patterns, the book's five linked
studies reveal how genres help construct personal and cultural
identities that are both partial and overlapping, that exist in tension
with one another, and that we experience in ebbs and flows.