This volume deals with the American production "Spartacus" and the
British-American-Italian co-production Rome. In the examination of the
present, a turn to Greek or Roman antiquity can be observed again and
again. To find there the roots of Western society for politics,
economics or philosophy, or to derive comparative arguments for
expansionist efforts or decline, is not just part of the rhetorical
commonplace. So it is not surprising that the TV series format also
takes up this period. Whereas in Rome the attempt is made to work
through the historical guidelines in great detail, in Spartacus, apart
from the rough sketch of the plot, one can speak of a far-reaching
neglect of the historical situation. From a (media) ethical perspective,
specific approaches to responsibility, the transmission of values,
loyalty, education, self-discipline, and religion can be identified in
the series, which can be interpreted as self-statements of the present
or the producers.