This book studies literary epiphany as a modality of character in the
British and American novel. Epiphany presents a significant alternative
to traditional models of linking the eye, the mind, and subject
formation, an alternative that consistently attracts the language of
spirituality, even in anti-supernatural texts. This book analyzes how
these epiphanies become "spiritual" and how both character and narrative
shape themselves like constellations around such moments. This study
begins with James Joyce, 'inventor' of literary epiphany, and Martin
Heidegger, who used the ancient Greek concepts behind 'epiphaneia' to
re-define the concept of Being. Kim then offers readings of novels by
Susan Warner, George Eliot, Edith Wharton, Virginia Woolf, and William
Faulkner, each addressing a different form of epiphany.