Did the 1990s see cinema, as a medium and collective experience, become
subsumed into a converging universe of multiple-media? Does our
understanding of "cinema" need to be reconsidered to accommodate
emerging digital possibilities for the moving image? In Light
Readings, leading critic Chris Darke revisits his writing addressing
these important questions. The book is divided into three sections which
reflect Darke's ongoing interests--contemporary art cinema, French
cinema, and the overlapping territories of film, video, and the art
gallery.