A reflection of American art's most iconic portraits that feature
eyeglasses, and their significance to the artists--from Grant Wood to
Alex Katz--through the lens of renowned art historian John Wilmerding.
This book celebrates and interprets eyeglasses in American art through
painting, prints, folk art, sculpture, and photography from the end of
the eighteenth century to the present. Accompanying an exhibition at the
Shelburne Museum in Vermont, the book includes eighty works by
illustrious artists such as Mary Cassatt and Alice Neel.
Though we know eyeglasses are for looking through, we often overlook
their role in portraits and figure images. This survey looks at their
appearance and uses in American art, from 1784 when Benjamin Franklin
invented the bifocal, to the present day. Spectacles in artwork served
as emblems of literacy, fashion, and self-identity; old age and wisdom;
inner or psychological vision; and sometimes just contemplation.
Contemporary works include bespectacled self-portraits by Chuck Close,
Andy Warhol, and Keith Haring; and eyeglasses as pure design by Alex
Katz and Wayne Thiebaud.