Transiting Pop art, Feminist Expressionism, Conceptualism and
Minimalism, Lee Lozano (1930-1999) sits alongside Eva Hesse and Hannah
Wilke as a radical and influential model for younger generations of
female artists. Lozano's notebooks, which she approached as drawings,
and which were later dismantled and sold as individual pages, became a
part of her artmaking at the height of her fame in the late 1960s.
Reproduced here for the first time, as an affordably-priced facsimile
reprint, the three notebooks collected here, which were kept between
1967-1970, contain sketches for her Wave paintings, writings about the
trajectory of her artistic process and the language pieces that she
became famous for prior to her withdrawal from the art world. They thus
constitute the fullest and richest document on an artist whose relevance
and profile have recently seen a steady ascent.