This book offers a close and detailed account of the emergent and
creative pedagogies of children learning together in a small,
not-for-profit preschool, and the entangled becomings of their carers as
well as the researcher-artist-author. The mutually affecting and
inseparable realities of the 'material' and the 'discursive' are made
visible through lively and sensual pedagogical invention by a group of
five-year olds in the inner-city preschool which is located in
Johannesburg, South Africa. These small, local stories are recognized in
their emergence with global geopolitical realities. The author makes a
valuable contribution to post-qualitative research through the use of
visual research methods and non-representational approaches to working
with knowledge.
The book draws on the constantly evolving practices of Philosophy for
Children (P4C) and Reggio Emilia both as pedagogical tools and as
research methods. Photographs and stills from video footage provide a
sense of the relatively modest material environment of the school. The
book celebrates the considerable richness of the involvement of the
children and the enormous possibilities offered by the world both inside
and outside of the classroom when an enquiry-led art-based pedagogy is
followed. Drawings and other products created by the children in the
study offer valuable insight into the depth and complexity of their
engagement with their worlds, both individual and collaborative.