Known principally for Bruges-la-Morte, a key work of Belgian Symbolism,
Georges Rodenbach (1855-1898) is also the author of other works worthy
of present-day study. His collections of poetry, his plays, and his
other novels subtly rework themes which evoke his native Flanders. This
volume contains the texts of two of his plays: Le Voile enacts a whole
network of themes with a connection to Bruges - a veritable summary of
the 'intimism' which was the glory of literary and artistic Belgium in
the 1890s - while Le Mirage adapts Bruges-la-Morte for the stage, in an
attempt to exteriorise thoughts which in the novel were essentially
self-enclosed. This is a volume in the series Textes littEraires/Exeter
French Texts. The text, introduction and essential notes are all in
French.