Written during and immediately after the 1914-18 War, Lawrence's major
fictions - notably The Rainbow and Women in Love - trace the growth and
contemplate the state of industrial England in the twentieth century.
Michael Black's introductory chapters show the theoretical interest of
Lawrence's writing-method, and how in discarded draft material he was
seeking the narrative modes of the great novels which followed. The
analysis of these finds Lawrence seeking a modern form of spirituality
as well as rediscovered sexual relationships.