Scrutinising Sterne's fiction through a book history lens, Helen
Williams creates novel readings of his work based on meticulous
examination of its material and bibliographical conditions. Alongside
multiple editions and manuscripts of Sterne's own letters and works, a
panorama of interdisciplinary sources are explored, including dance
manuals, letter-writing handbooks, newspaper advertisements, medical
pamphlets and disposable packaging. For the first time, this wealth of
previously overlooked material is critically analysed in relation to the
design history of Tristram Shandy, conceptualising the
eighteenth-century novel as an artefact that developed in close
conjunction with other media. In examining the complex interrelation
between a period's literature and the print matter of everyday life,
this study sheds new light on Sterne and eighteenth-century literature
by re-defining the origins of his work and of the eighteenth-century
novel more broadly, whilst introducing readers to diverse print cultural
forms and their production histories.