This book is the first comparative study of novels by Patrick Modiano,
W. G. Sebald, and Antonio Muñoz Molina. Drawing on many literary
figures, movements, and traditions, from the Spanish Golden Age, to
German Romanticism, to French philosophy, via Jewish modernist
literature, Ian Ellison offers a fresh perspective on European fiction
published around the turn of the millennium. Reflecting on what makes
European fiction European, this book examines how certain novels
understand themselves to be culturally and historically late, expressing
a melancholy awareness of how the past and present are irreconcilable.
Within this framework, however, it considers how backwards-facing,
tradition-oriented self-consciousness, burdened by a sense of exhaustion
in European culture and the violence of its past, may yet suggest the
potential for re-enchantment in the face of obsolescence.